How to get on iTunes for the new Artist

( June, 2013) My debut album “Suffolk Skies” and its follow-up “Noun; person,place, object, mood” are both finally ‘live’ on iTunes. [and updating; my third album “Reflections” 2014 went up nearly instantaneously…perhaps now as a known contributor] I chose to utilise to agent my work. I found it too daunting to become an independent content provider with iTunes as a private individual. The remedy; offers a great service. And, even if you’ve never uploaded a single or full album before, it’s  user-friendly. Their tutorials and even the process itself make it self explanatory. All you have to do is have your music files and art ready. The membership fee isn’t too costly, though they have other services which one may purchase (to extend their revenue, and perhaps justifiably so as one may purchase online radio-time and other means of promotion).

One of the initial delays for me in uploading was cover-art. I hadn’t even given it a thought as I finalised editing the tracks for their final recording. So, I went in after creating the account only to find I couldn’t complete the process without the graphics to accompany the music. For anyone considering uploading their works, by all means, get your cover art done and ready to upload at the same time as you send in your music tracks.  It can be anything you want it to be; a poignant photo, a sculpture, a unique graphic design, simple text on a colour background. As long as it’s saved as a jpg and is square with minimum (but not much more than) 1500 pixels by 1500 pixels.  Sadly, there is no consideration of back-cover-art so it’s all up front (if you’ll pardon the double-entendre). You can easily edit, enhance, ‘draw,’ or generally add a textbox for titles etc. using microsoft Paint.

From this PrintScreen view you can see what my songcast page looks like

From this PrintScreen view you can see what my songcast page looks like

Everything I’d created, in terms of musical data, was in .wav format. Songcast will only upload mp3 files. So, my next learning curve was to learn that I could burn a demo-CD of my final recordings, then rip my own CD to automatically convert my works into mp3. Such is the relative ease in using media-player. The mp3 format looses a little of the depth of sound quality but is compressed into a much smaller data file. Speaking of files…I recommend you create a new file to put your newly formatted mp3 versions into. Sometimes your computer may look in ‘different’ places if you have multiple copies of a particular track. Or, I have sometimes had trouble with media-player splitting my tracks across different library locations. Be prepared to search through all music files to relocate transient tracks (often arbitrarily named unknown artist, or by series of numbers).

Your final recording should reflect the name of the piece without extra bits of information or misspellings. Thus, I  advise re-naming your track if you had extra information concerning different/previous versions of that same work. There is no editing done at the point of delivery (at iTunes itself) so you must consider making all corrections before it is sent. By the time your work is ‘in transit’ it’s too late. Perform a careful and scrupulous proof-read before uploading.

Despite claims that it may only take a couple of weeks, in my experience it takes a full month for first-time provider’s  works to complete transit for iTunes. It may take longer for Spotify, Amazon mp3, and Emusic. I’ll let you know when it’s up on those sites. In the meantime I’m delighted to have my albums up on iTunes via It’s given this independent artist a chance to offer his works to the public. So, many thanks to songcast for the service.

I will also let the reader know of the general ‘transit time’ for getting a result with Amazon CD’s on Demand. Many potential listeners would prefer to have a physical copy. Given that, when professional quality CD’s are available on Amazon I will be happy to have covered that base, too.

It all takes time and a bit of effort to make it happen. As I would advise myself, I advise patience with the process. I hope my shared experience helps anyone who is looking to also follow the path to ‘getting your music out there.’ If you’ve enjoyed this blog, please take a moment to follow the link to my music page and have a listen. Share the link, if you’ve enjoyed my musical works, with anyone you feel would also like my style. Together we can launch these new works. And, you’ll find the same gets returned as you try and or learn to make your own art stand out and be heard!

It took a lot of courage to launch each of the albums. I sat on a body of musical work for a while, not knowing what to do with it nor how to promote it. Life and work and various responsibilities often overtook my ability to apply myself to it with consistent effort.


In terms of concrete sales, I wish there was more ready-made interest for the modern classical and light jazz instrumental style. However, part of my personal goal in composing original works was to find a method of sharing the works. People from all over the world are now finding my music, and in this way I can share the ideas with the public at large. In the meantime I’m grateful to all those who’ve taken time to listen.


From this PrintScreen view you can see what my songcast page looks like

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“Suffolk Skies” debut album of instrumental music by composer Kurt Hartle

Composer Kurt Hartle exalts East Anglia in his debut release “Suffolk Skies.” Available on iTunes as of 2nd, July 2013. The style of music is predominantly classical while a few tracks feature light jazz characteristics. All the works are expressive and easy on the ears. “I enjoy composing pieces that simultaneously relax and inspire. Music works well when it stirs one to visualise a scene,” states the composer.

The title track ‘Suffolk Skies’ plays out a repeating theme which broadens to big chordal sounds. It conveys the wide open spaces of the Suffolk sky views, including fleeting clouds or perhaps a storm before opening up to clear the air, anew. He uses trumpet to sound the end phrase to the finale on a note of pride and appreciation for our grand vistas.

Most of the track titles relate directly to locations and elements around Southwold. For instance, his piece ‘Southwold Repose’ was written as an adult’s lullaby, representing  the town as a popular place for visitors to relax and unwind. In Southwold itself, as part of the commons, lies the little Nursemaid’s Park. Knowing Southwold since 1997, Kurt recollects scenes of mother and child at play in the safety of the little park, which used to be called ‘Nursemaid’s Green.’ The qualities of childhood fun and pastoral security are reflected in the piece of that name by use of gentle phrasing and playful rhythms.

The composer recommends taking a walk from the Southwold pier to Easton Bavents whilst listening to the ‘Piano Concerto 1st Mov’t’ (nicknamed The Etherial). From that vantage point, he says, “you can observe the light-hearted drama conveyed by the piece. Beauty strikes the eye. And, suddenly a song emerges. And in the case of that particular day, that particular walk, it was a matter of getting home fast enough to jot down the theme. It kept slipping away and then returning. It was an etherial experience, hence the nickname.”

One very accessible musical metaphor is his work titled ‘At The Breakers.’ In this piece one can easily recognise the splash of the waves and ebb and flow of the North Sea tide. The album falls under the ‘instrumental’ category which defines any piece or musical work that lack vocals and lyrics. While no singer is present, these are songs without words. From the intimacy of a piano solo to the compexity of an orchestral arrangement, Mr. Hartle demonstrates a breadth of sound and expressive power. The album strongly stands as a suitable tribute for all who enjoy the beauty of Suffolk County, Southwold and, indeed, all of East Anglia.